Добавил:
Upload Опубликованный материал нарушает ваши авторские права? Сообщите нам.
Вуз: Предмет: Файл:

the_custom_bicycle

.pdf
Скачиваний:
21
Добавлен:
12.03.2015
Размер:
2.56 Mб
Скачать

THE CUSTOM BICYCLE

the needs are not met in the standard line, a special custom design can be provided.

Like Cinelli, Schwinn's building and design philosophy stresses rigidity over extreme lightness. For example, since it is difficult to build a good, stiff frame in a large size, Schwinn uses heavier-gauge tubing to achieve stiffness as the size of the frame increases. Extra-heavy chainstays and fork blades are used on all models. On extremely large frames (in excess of 26 inches), straight gauge SAE 4130 chrome molybdenum is used for the down tube and the seat tube. By combining this tubing with a stiffer front fork, Schwinn has been able to overcome a lot of the tracking problems that occur on large frames when riding downhill and riding without hands. Through years of experience Schwinn has opted for rigidity rather than lightness.

Frank Brilando doesn't believe that there's a great difference between the chrome molybdenum tubing and the Reynolds manganese-molybdenum tubing as far as the end product is concerned. He does believe that a little more caution has to be used when working with chrome molybdenum tubings because overheating and rapid cooling will cause more brittleness in the frame joints than with manganese molybdenum. Why does Schwinn use chrome molybdenum tubing more extensively? According to Brilando, "We've found the Reynolds tubing to be very good and there's no reason to change just for the sake of changing. Furthermore, 531 has good acceptance by the public."

Frank Brilando believes that you cannot consider the top tube dimensions by themselves since they are influenced by the other frame specifications. As a rule, top tube length should not be a controlling factor in ordering a custom frame because if, for example, a shallow seat angle is requested (and everything else is constant) a longer top tube will be required. "Top tube length by itself doesn't mean an awful lot unless you tie it into the complete bicycle."

Schwinn is probably the only large manufacturer in the world that makes a top-line touring model. The design of Schwinn's standard line touring model has been tested and retested to insure a safe and comfortable ride. The touring Paramount has a slightly longer wheelbase, due to a longer rear triangle, which distributes the weight of the rider and the touring load more evenly on the frame. Through testing, Schwinn has found that a slightly longer rear end(3/8inch) will transfer some of the weight to the front of

SCHWINN

the bicycle and the better weight distribution will contribute greatly to the safety of the rider. If you know that the 3/8-inch longer stay gives you better weight distribution, what would happen if the rear triangle were lengthened by an additional 5/8 inch? Schwinn's tests have shown that a longer rear triangle will create instability and make the bicycle handling unwieldy. The 3/8-inch longer stay that Schwinn uses is the best compromise.

One of the greatest problems a tourist has to face is riding downhill with the weight of touring packs on the bicycle. Again, Schwinn has performed tests which indicate that the racer shares the problem of instability on downhills, but that his problem is more manageable because he is riding without bulky packs. The downhill problem is exacerbated when carriers and packs are attached to the bicycle, especially, as Brilando notes, "when rear carriers are not anchored solidly. They tend to shimmy and this transfers through the whole bicycle."

To help eliminate this dangerous situation, Schwinn's testing has confirmed that:

1.carriers must be solidly secured to the frame;

2.carriers must be strong enough to support the packs;

3.the packs must securely fasten to the carrier, to insure as little movement as possible;

4.the weight should be distributed in the panniers with the heavy items at the bottom.

If you are going to use front panniers, the same criteria apply. Of course, overloading front panniers will cause a dangerously unstable condition. Although most people seem to be using front handlebar packs, Schwinn has not done any conclusive testing in this area, but Brilando believes "if it is rigidly held, it is not too bad. If it slops around, then you get into instability problems."

The road racing Paramount that Schwinn offers in its standard line is designed for long-distance road races. A special lighter criterium frame is offered but only as a custom order. The same applies to the track frame. The standard Paramount track frame is built for sprints while lighter pursuit frames can be ordered on a custom basis. Although Schwinn uses Reynolds 531DB on all its frames, the tube gauges are heavier than the standard-packaged Reynolds 531DB sets. The reason for the heavier tubing is the belief that frame rigidity is affected more

THE CUSTOM BICYCLE

by the tubing than by the lug. Since frame rigidity is the basis of Schwinn's design philosophy, the necessity for thicker-gauge tubing becomes essential. According to Brilando, "Lightness is great for certain specific applications but generally for most usage, we tend toward the stiff side. We have built extra-light bicycles for pursuit and time trialing and so forth, but you have to apply the bicycle to the type of usage."

On the standard track, road racing, and road touring Paramounts, the top tube is 18/21 gauge, the down tube 19/22, the seat tube 21/24, the chainstays are 18/20, and the fork blades 17/20. When building special pursuit and criterium frames, special lightweight tubing is used, producing frames 1.5 to 2 pounds lighter than standard frames. Although lighter Reynolds tubing is used on many of the custom bicycles, Schwinn does use Columbus and Ishiwata tubing as well. The Ishiwata tubing is called for when light specialty frames are required.

Like most respected master builders, Schwinn takes a conservative approach to frame building, emphasizing strength over lightness. Although the Paramount lacks some of the glamour and mystique of the foreign bicycles, it is superbly built and priced competitively. Most important, the generous warranty provides free frame repairs if a failure is due to faulty materials or workmanship.

158

CHAPTER 18

Profiles of Some

American Frame Builders

F.M.Assenmacher

Matt Assenmacher is a builder

Lightweight Cycles

from the "traditional school."

104 East May Street

Looking into his background, it is

Mount Pleasant, MI 48858

easy to see why. He learned to

 

build bikes while he served as an

 

apprentice for a year at JRJ Cycles,

Limited, in England (see chapter 5).

The majority of the American builders use Du Pont's Imron paint because of its resistance to chipping. The British, on the other hand, increase the chip resistance of their paints by their methods of applying the paint. While Imron is fairly easy to apply and it requires a minimum of steps, the British processes require several steps. Accordingly, the actual painting of the frames has become a British trademark.

It comes as no surprise that Matt's bicycles have a very British look. He learned the basics from Bob Jackson. Matt's paint process is involved and can best be described in his own words:

Painting is a six-step process beginning with the removal of all oxides from the bare frame by a light sandblasting. The bare frame is then chemically treated with rust-inhibiting bonding agents which eliminate rust problems and also bond the paint film to the metal. The frame is then primed and enamelled with Sherwin-Williams professional paint system. The transfers and the hand lining are done at this time. After the transfers have cured, the frame is finished with a special two-part clear acrylic for added durability and gloss. The paint then cures in about 24 hours and the frame is ready for assembly.

THE CUSTOM BICYCLE

Under the paint job, Assenmacher's frames are orthodox in design and construction. Like the Europeans, Matt does not use a jig for brazing the main triangle. Only the forks and rearstays are brazed in a jig. All Assenmacher frames are silver-brazed and are built personally by Matt. His one assistant handles only the cleanup, sandblasting, and initial paint preparation steps. The decision of which gauge and type of tubing to be used is made after Matt learns the size and weight of the rider, his or her riding style, the ultimate use of the frame, and the rider's individual preferences.

Figure 18-1: Assenmacher putting the finishing touches on one of his frames.

PROFILES OF AMERICAN BUILDERS

Assenmacher, who has been building frames since 1973, currently builds about two a week. In addition to his custom frame building, he has a constant supply of frame repairs for other competitive brands. His frame repair business is strong because people have learned of his quality workmanship. Furthermore, there are proportionately fewer frame builders in the Midwest than in the West.

Assenmacher is eager to please his customers and he will build racing or touring bicycles and tandems. He is particularly cognizant of the needs of the tourist and will supply brazed-on frame fittings in any configuration desired by the customer. Although he is only 27 years old, he has been an enthusiastic cyclist for over half of his life. Currently he is succeeding in providing the kind of service that is difficult to duplicate when dealing overseas, while at the same time, is building a bicycle that compares favorably with those built by the British.

Bill Boston

It is difficult to find a "unique"

38 Franklin Street

American frame builder since, in

POBox 114

general, all share an important

Swedesboro, N/ 08085

similarity—they specialize in

 

building individual bikes for in-

 

dividual customers. You could ex-

amine their complete production for a year without finding two identical frames. Like his compeititors, Bill Boston specializes in matching the individual needs of a rider. He has taken the art of properly sizing the frame one step further, however. He has constructed an "adjustable" frameset with variable seat angles, top tube height, bottom bracket height, and top tube lengths. After personally determining the basic parameters of the "ideal" frame with the customer astride the adjustable frame, Bill attempts to determine the individual needs of the customer—a racing or touring frame, for instance.

Like many of the popular builders, Bill Boston is young. He's in his early thirties. He started building frames, on a part-time basis, in 1972. By 1975, the demand for his products reached the point where he decided to make bicycle frame building his sole livelihood.

After high school, Bill worked for a short time at Du Pont and then joined the navy. For six months of his navy experience he

THE CUSTOM BICYCLE

built jet engines. Because of his desire to "learn more about those jet engines than anyone in the shop" he quickly became quality control inspector. After the navy, Bill rejoined the work force at Du Pont and his interest in cycling began.

Bill's introduction to cycling came through his brother who was an avid rider. Bill's real commitment began when he restored a 1937 Drysdale track bike, his first real bike. In many ways, the Drysdale was a major contributor in Bill's decision to manufacture bicycles. The fine construction of the old bicycle was immediately obvious to Bill as he compared it to some of the alleged highquality modern frames. Bill flew to England to meet with Reynolds and discuss his individual tubing requirements. He also visited several of the well-known British builders to pick up

Figure 18-2: Bill Boston's frame fitting jig. Note precise fitting in detail photograph (figure 18-3).

PROFILES OF AMERICAN BUILDERS

Figure 18-3

pointers. His strong technical background left him disenchanted with the British builders and their reliance on what Bill felt was "feel" rather than technology.

Although Bill Boston's annual production is only approximately 50 frames, or less if there is a high proportion of tandems, the number is not a true indication of his potential. Much of his time is devoted to his hand-manufacture of special handlebar stems (each one takes 12 to 14 hours to produce}, integral alien key seat tube fittings, and custom racks for touring. Bill likes to think of himself as a craftsman and his concern for the quality of his products is greater than the profit associated with the venture.

Initially, all Bill Boston frames were jig-built with brass, but he has since switched to silver. The switch was made after Bill

THE CUSTOM BICYCLE

had learned to properly match the bicycle tubes with their lugs, which required, in Bill's words, "remanufacturing the lugs." Although the cost of silver greatly exceeds that of brass, the extra cost is made up in the reduced time required to file and clean the joints when using silver.

According to Bill, it took him over a year to complete his bicycle design theories. Some of his answers were developed on a computer which he used to determine frame stress. Apparently, Bill did his homework well since he appears to be very knowledgeable about the relationship between frame design and the physical capabilities of a rider. Boston makes no bones about the relationship of the seat angle and the rider's pedaling techniques, "if they like to spin they get a steep seat angle. If they don't like to spin and they like to push hard, they get a shallow seat angle." In our travels, we found builders generally had a better understanding of the technical requirements of brazing than knowledge of the mechanics of riding. Boston was an exception.

Bill Boston prides himself on solving the needs of the serious cyclist and he has many methods of building frames for the very short or very tall person. He will not build a frame to meet an individual's specifications unless he feels that the design is sound. Although Bill does build racing bicycles, his forte is touring bicycles. He finds that he has many more touring cyclists for customers than he does racers. Consequently, he has studied and tested his touring designs more frequently.

Francisco Cuevas of

Few craftsmen have been building

Paris Sport Cycle

frames longer than

Francisco

186 Main Street

Cuevas*. In his forty-third year of

Ridgefield Park, NJ 07660

frame building he is still brazing

 

and designing frames with the

 

same enthusiasm and

determina-

tion that characterized his idealistic youth. The great frame builders seem to be inexorably drawn by the hope their next frame will be the "perfect frame." Similarly, Cuevas builds each frame as if it were a work of art to be admired and enjoyed.

Francisco Cuevas also has the distinction of having built frames on three different continents. He started building frames in

*As the book wen! to press, we learned that Cuevas had left Paris Sport Cycle-

PROFILES OF AMERICAN BUILDERS

1925 when he worked for a factory in his hometown of Barcelona, Spain. In 1928 he started his apprenticeship under two Spanish frame builders, Ernesto Bayo and Jose Magdalena. By 1932 Cuevas was confident of his ability as a frame builder and he opened his own frame-building shop in Barcelona. His success was not immediate, however. His competitors claimed that he was too inexperienced to be proficient. His products proved otherwise. Through hard work and discipline the talented Cuevas quickly established himself as one of the major frame builders in Barcelona.

In the 1930s Spain was a time bomb of political unrest. The political factions exploded into a full-scale civil war and Cuevas found that the emotionalism of the time led him to join the Loyalist forces. Forsaking his shop, he began a life pledged to establishing a stable democratic rule in Spain. When Franco's

Figure 18-4: Cuevas with apprentice.